International Journal of Interdisciplinary Research
From: Exploration of the body–garment relationship theory through the analysis of a sheath dress
1. Dress cannot change substantially in configuration from the one described during garment abstraction—maintains number of block pieces, correspondence points and seams |
2. Blocks conform as close to body as possible without displacing or stretching the garment at any location |
3. Center front and center back lengthwise grain are perpendicular to floor |
4. Hem is parallel to the floor at center front and center back |
5. Dart tips point towards the major prominence in their area |
6. Correspondence points of blocks match correspondence locations on body: |
High point shoulder matches mid-point of shoulder at base of neck |
Shoulder point matches outermost edge of the acromion |
CB neck point matches top of spinous process of the seventh cervical vertebra at base of neck |
Underarm point matches midway between subject’s front and back, 1″ below axilla |
CF waist point matches middle of subject’s waist, centered under CF neck point |
CB waist point matches middle of subject’s waist, centered under CB neck point on spine |
Side waist point matches midway between subject’s front and back, in middle of subject’s waist |
Point of greatest lower-body side prominence matches the subject’s side at either the high-hip, hip, or thigh level |
Hem matches the height of the suprapatellas |
7. Neckline curves through all correspondence points at base of neck |
8. Waist seam curves through all correspondence points at waist |